Thursday, January 23, 2020

Powerful Imagery in To His Coy Mistress :: Andrew Marvel, To His Coy Mistress

Andrew Marvel's "To His Coy Mistress" has the persuasiveness of a late night informercial. But in this instance the narrator does not want money for his "product": he wants a girl's virginity. Informercials have an advantage over Marvel. They not only persuade consumers with words but images pf their products as well. Marvell overcomes this obstacle in his use of descriptive imagery. He utilizes if not maximizes imagery to magnify his persuasiveness. . The first stanza opens the poem "Had we but world enough, and time,/ This coyness, Lady, were no crime"(1-2) as though he were a victim of her reserved nature. He tries to pull some reverse psychology here to make her think that it is her fault for not having sex with him (against her will). He goes on to say that he would indeed love her "Till the conversion of the Jews," (10) ithere were time enough, but the narrator never directly says "forever." Instead he uses phrases that conjure images of eternity: "ten years before the Flood(8); "An age to every part"(17). His descriptive use of imagery makes forever seem an overused word that does not fully encapsulate the time he would spend waiting for her. "But" makes the transition from eternity to the present. He continues, "at my back I always hear/ Time's winged chariot hurrying near"(21-22)). Again the narrator makes himself the victim, first of the lady's coyness and now of death. With death soon to knock on his door,, the narrator reminds his mistress of her inevitable death. "They beauty shall no more be found, in they marble vault..."(25-66). They virginity that his mistress is trying to withhold from hom will be lost is she waits too long. Yes. she is at the prime of her youth and beauty today, but it will soon be "turn[ed] to dust"(29)/ This dust and the "deserts of eternity"that lie before them both are used in stark contrast to their ripe youth. This stanza appeals to the girl's immortality and youth. They should both be "like amorous birds of prey" who do not deny their primal instincts. Amorous, meaning eortic, is the pivotal word of this excerpt and one of the most subtly descriptive passages in the entire poem. This words seems to be carefulyy (and craftily) chosen to epitomize the lust he has for this woman; his desire for her to feel the same (or at least act on what she is feelingn). Powerful Imagery in To His Coy Mistress :: Andrew Marvel, To His Coy Mistress Andrew Marvel's "To His Coy Mistress" has the persuasiveness of a late night informercial. But in this instance the narrator does not want money for his "product": he wants a girl's virginity. Informercials have an advantage over Marvel. They not only persuade consumers with words but images pf their products as well. Marvell overcomes this obstacle in his use of descriptive imagery. He utilizes if not maximizes imagery to magnify his persuasiveness. . The first stanza opens the poem "Had we but world enough, and time,/ This coyness, Lady, were no crime"(1-2) as though he were a victim of her reserved nature. He tries to pull some reverse psychology here to make her think that it is her fault for not having sex with him (against her will). He goes on to say that he would indeed love her "Till the conversion of the Jews," (10) ithere were time enough, but the narrator never directly says "forever." Instead he uses phrases that conjure images of eternity: "ten years before the Flood(8); "An age to every part"(17). His descriptive use of imagery makes forever seem an overused word that does not fully encapsulate the time he would spend waiting for her. "But" makes the transition from eternity to the present. He continues, "at my back I always hear/ Time's winged chariot hurrying near"(21-22)). Again the narrator makes himself the victim, first of the lady's coyness and now of death. With death soon to knock on his door,, the narrator reminds his mistress of her inevitable death. "They beauty shall no more be found, in they marble vault..."(25-66). They virginity that his mistress is trying to withhold from hom will be lost is she waits too long. Yes. she is at the prime of her youth and beauty today, but it will soon be "turn[ed] to dust"(29)/ This dust and the "deserts of eternity"that lie before them both are used in stark contrast to their ripe youth. This stanza appeals to the girl's immortality and youth. They should both be "like amorous birds of prey" who do not deny their primal instincts. Amorous, meaning eortic, is the pivotal word of this excerpt and one of the most subtly descriptive passages in the entire poem. This words seems to be carefulyy (and craftily) chosen to epitomize the lust he has for this woman; his desire for her to feel the same (or at least act on what she is feelingn).

Wednesday, January 15, 2020

Effect and suspense Essay

At the beginning of act 2 it begins in the house of John and Elizabeth Proctor. John walks into the kitchen and adds some salt to the pot and sits down. Elizabeth walks in and serves Proctor some food. Proctor compliments her â€Å"It is well seasoned† This shows Proctor is metaphorically trying to make his relationship better with his wife. Both characters engage in idle conversation about the weather and the crops. Audiences would have felt that there may be something beneath the surface they both are avoiding talking about something. The conversation changes to witchcraft. Elizabeth mentions Abigail being accused and how she thought she was innocent. John then says â€Å"If the girl’s a saint now, I think it is not easy to prove she’s a fraud, and the town gone so silly. She told it to me in a room alone – I have no proof of it.† Elizabeth then replies â€Å"You were alone with her?† this shows Elizabeth is still caught up with the affair and still can’t forget it. When Mary Warren enters, he grabs her and shakes her; He says â€Å"How do you go to Salem when I forbid it? Do you mock me? I’ll whip you if you dare leave this house again!† audiences would get the impression Proctor is not a very good person if he would talk to someone like that, and also a sinner who had an affair. When Reverend John Hale visits to tell them Elizabeth has been mentioned in court. He asks both of them questions like why only two out of three of their children have been baptized. Elizabeth explains that she does not think of Parris to be holy so does not want her child to be baptized by him. Hale asks Elizabeth if she knows all Ten Commandments, she says she does, Hale asks Proctor and he says, â€Å"I- I am sure I do, sir.† Hale asks him to repeat them all Proctor does and names 9. Elizabeth says you forgot adultery John. This shows Elizabeth still resents John for the affair. Audiences would have seen John as a sinner, and an aggressive man up to this point of the play. When Abigail charges Elizabeth, we see a more desperate side to John Proctor’s character. When Ezekiel Cheever comes to the Proctor house hold with a warrant to arrest Elizabeth, he finds a poppet of Mary Warrens. There is a needle in the middle, where Abigail stabbed herself. Proctor, in desperation pleads that it was not Elizabeth; â€Å"Why, she has done it herself! I hope you not taking this for proof, mister!† Proctor pleads with Herrick and Cheever; audiences may feel that he is saying these things to prove to Elizabeth how much he loves her. â€Å"I will fall like an ocean on that court! Fear nothing, Elizabeth.† In court, Proctor attempts to defend his wife and says that Abigail has been pretending witchcraft. Many people have now been arrested, some even sentenced to death. Mary changes her testimony and confirms Proctor’s evidence. In act three Proctor is defending his wife, saying that Elizabeth dismissed Abigail from their household, was because Proctor and Abigail had an affair. Abigail denies this but Proctor asks Judge Hawthorne to fetch his wife and ask her, because she never lies. Elizabeth is then summoned to court to say if Proctor is telling the truth. Danforth asks her why she dismissed Abigail and she lies for Proctor, this means that Proctor is arrested.  Ã‚  Ã¢â‚¬Å"Danforth: Your husband- did he indeed turn from you?  Elizabeth: My husband is a goodly man, sir.  Danforth: Then he did not turn form you.  Elizabeth: He-  Danforth: Look at me! To your knowledge, has John Proctor ever committed the crime of lechery?  Elizabeth: No, sir†Ã‚  Ã‚  Proctor is made to confess, or risk loosing his life. He decides to make a false confession to save his life, but however when he is made to sign his confession he refuses, he argues that his name is with him his whole life. The audience would have the impression that John Proctor is a good, self- respecting, brave man. John Proctor then went on to be hanged for a crime he didn’t commit. My conclusion is that in the beginning of the play, John Proctor has the impression that he is a sinner with a past, who is trying to change into a better person but still with a violent and aggressive temper, However by the end of the play we see a different side to him. He changes into a man with dignity and pride, who is willing to die for his sins of lechery. I think he is trying to prove something to his wife, that he regrets his sins and is sorry. Arthur Miller uses long sentences in a dramatic way to add depth to The Crucible, to gives effect and suspense.

Tuesday, January 7, 2020

Racism in the Loon Essay - 942 Words

â€Å"The Loons†: Social Racism Kills a Metis Girl Margaret Laurence’s short story â€Å"The Loons† from A Bird in the House has proven highly controversial as an example of racist literature. The Loons, is a representation of racial separation in mid-western Canada in the early 1900s. Here, Margaret Laurence uses setting and characterization to show how severe the prejudice of white people can be towards half breeds, after the period of new colonization. Piquette Tonnere, protagonist, who intends to fight those prejudices eventually, dies, leaving readers surprised to observe the cruelty of the society. The tale â€Å"The Loons† illustrates how racism exists in the guise of good intentions, intolerance and stereotyping. When Vanessas†¦show more content†¦Being ignorant about aboriginals, Vanessa has preconceived ideas about Picquettes heritage. It seemed to me that Picquette must be in some way a daughter of the forest, a kind of junior prophetess of the wilds, who might impart me, if I took the right approach......., or whatever it said in Hiawatha. (Laurence 419) Vanessa is suggesting that just because Picquette is an aboriginal, she must be a skilled tracker and hunter like legendary literary character Hiawatha. Piquette senses this, and she refuses to open up to Vanessa, by rejecting her friendly act. Vanessa immediately decides that â€Å"as an Indian, Piquette was a dead loss,† when she realizes that Piquette has no â€Å"Indian† secrets to share with her; she is confused by Piquette and ultimately rejects her. Alienated Piquette acts indifferently to her surroundings, and only once in the story her heartfelt feelings have been expressed: â€Å"Listen, you wanna know something, Vanessa?...Your dad was the only person in Manawaka that ever done anything good to me† (Laurence 422). Coming from Piquette, who keeps her emotions hidden, just like the loons who cry only at night, her words mean a lot: they show to the readers, Piquette’s loneliness and isolation. Grown up woman Piquette wants acceptance in white dominating society. She attempts to escape poverty and alienation by becoming a seductive woman to snare a man assuming marriage can be the only avenue of escape. In her make up and skin tight skirt,Show MoreRelatedShort Story Essay on Canadian Racial Diversity (Citing Akua Nuten, the Mystery of a White Man, and the Loons)783 Words   |  4 Pagescriminals made his claim seemingly powerful as it was truthful that there are many criminals who are White but really, it is just as easy to come up with a list of Asians, Blacks, and Latinos who are lawbreakers, rapists, and law rigging judges. In â€Å"The Loons†, the half-breed girl Piquette Tonnerre spent a month with the MacLeods, a Caucasian family on a holiday. 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